Abel Brcic Painter - Korcula Croatia
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Abel Brcic completes beauty of
the scenery with cheerfulness. With his measure
of painter’s skill and stylization he gives
a special charm to the ancient views of Dalmatian
cities of Korcula and Dubrovnik and also to the
picturesque structures near the sea. By “cheerful
geometry” of the displaced angles Brcic causes
great mirth of the level surfaces composing the
volumes on the clean surfaces by the clear silhouettes
and constructing the each scene by the clear lines.
The rules of consistent, linear rhythm don’t
relate to the architecture only, but also to the
plants, mounds, sky and sea. Every part of the picture
is painted by an identical matter intensified by
dynamic values of colors. The details on the picture
and the whole impression of it represent the picture
of the South ( experience and memory ) where the
light and colors play the main roles. Brcic takes
possession of the charming views and congruently
to them he creates the unique structures such as
round crowns of the trees, trapezoidal roofs, sterns…They
all follow the way from real to imaginary. In another way Brcic shows the great familiarity
with the landscape of the South by illusion of painter’s
unpretentiousness. The interpretation of the given
motives goes from the simple ones to the compound
compositions with expressive and fragile forms with
lots of fragments and details. They can be seen
in precise geometrical forms and figures. Strictness
doesn't’t break painting vitality, but it
becomes the measure of order in the scenes of painting
imagination. Relatively the firm co-ordinate system
of organization brings Brcic’s pictures closer
to ornamental and balanced works. The sea becomes
a field with the clear blue separations of the deeps.
And the silhouettes of defined limits in its motions
catch hold of the whole picture. In his reduction
until a single sign Brcic produces the similar charge
by the flare concentrated in applicable palette.
Colors without any dark tones, colors to which the
light is symbolically given. Brcic insists on pleasantness
in a beautifully view through an open window or
in a still life. In the pictures of lyrical tones,
by a special painter’s weaving, dynamic and
harmonious interfering of forms where in different
variations on the same theme, the trace of poetics
is always maintained as in the painter’s dialogue
with the structures as in the touch of the seaside,
plants and sky. BIOGRAPHY Abel Brcic, born in 1956. in Zrnovo on the island of Korcula. He graduated in 1978.although he has been painting since 1974. He works as an Art teacher with children in Korcula. Since 1986 he has been a member of German Art Association _Bund fuer freie angewandte Kunst_ in Darmstadt. He had his first own exhibition in 1980.in Korcula and since then his works have been exhibited at many regional exhibitions. He shows us the landscapes of the island of Korcula, the marinas bays and fields. Oils, pastels and watercolors are various forms of his artistic expression. His pictures are in the private collections all around the world. Abel Brcic u ljepotu prizora upisuje vedrinu. Svojom mjerom slikarske preobrazbe vedutama starih dalmatinskih gradova Korcule, Dubrovnika i pitorsknim zdanjima u blizini mora daje poseban sarm, kako stupnjem koloristicke otvorenosti tako i provedenom stilizacijom. 'Veselom geometrijom' pomaknutih kuteva Brcic razigrava plohe skladajuci volumene cistim povrsinama citke silhute, gradeci svaku scenu jasnim rasterom crtovlja. Pravila dosljednog linearnog ritma ne vrijede samo za arhitekturu vec i za raslinje, brdasce, trag neba i mora. Svaki segment na slici zahvacen je identicnom stvarnoscu intenziviranom dinamicnim vrijednostima boje.Detalji i ukupnost dojma podrzavaju sliku o jugu (dozivljaja i sijecanja) koje su dominante svjetlo i boja. Brcic je posvojio drage prizore, prepoznajuci u njima blijesak kromatskih raspona, sukladno kojima oblikovanost gradivih jedinki, poput krusne kropnje stabla, trapezne forme krova, prove camca, prati put od realnog ka izmastanom. Razumljivo Brciceva uprizorenja imaju potku stvarnog, no akcenti, rakursi, odmak od klasicnih perspektiva s relativiziranjem planova, daju znanom novu dimenziju. Gotovo bajkovitosti, jer Brcicevom slikom usli smo u prostore zacudnosti. Zaustavljenog vremena u tenucima blistanja ljepote kroz silnice boje. U kojem zbijena zdanja, drvece u sjaju plavetnila mora i neba jeka su zivota. Svaka slika je zastanak u pulsiranju ditiramskog. Ambijentalno je okvir za igru oblika koji nadilaze doslovnost fasade kamenih zdanja u svom znacenju, vec oznaka su trajanja, isto kao cempresi u svom vertikalitetu. Drugim rijecima Brcic je prividno slikarskom nepretencioznopcu izrazio duboko razumijevanje krajolika juga. Interpretacija odabranih motiva krece se od jednostavnijeih do slozenijeih kompozicija, s izrazenom lomnoscu forme, s mnostvom fragmenata dovedenih do sitnih partikula, vidljivih i u preciznim geometrijskim likovima, i oblicima manje egzaktnosti obrisa. Strogost nije narusila slikarski vitalitet, vec je postala mjera reda u scenama sadrzajne i likovne mastovitosti. Relativno cvrsti kordinatni sistem organizacije priblizio je Brciceva djela ornamentalnom,uravnotezenoj preglednosti, koje su sastavnice plohe boje. Njima i more postaje polje, s jasnim razdjelnicama dubine plavog. A sjene definiranih granica zahvacaju u svom kretanju svu predmetnost slike. Brcic i u reduciranosti do znaka ostvaruje slican naboj opredmecenim svijetom, koncentriranom u primjerenoj paleti. Boje bez muklijih tonova, boji kojoj je svijetlo i simbolicna datost. U isijecku lijepote koji moze biti i mrtva priroda, pogled iz interijera kroz prozor, Brcic inzistira na ugodjajnosti. U djelima lirske konotacije svojevrsnim slikarskim tkanjima, dinamicnom i skladnom prepletu oblika gdje u varijacijama na temu treptaj poetskog je uvijek sacuvan kao u dijalogu umjetnika s predlopkom, tako i dodirom tla (obale) i mora, drveca i neba. Brcic suptilnoscu dozivljaja i izvedbe (s neporecivom vjestinom ruke) i oporost prenosi do lakoce, neslucene u tanahtnosti linija. U svakom slucaju Abel Brcic je obogatio suvremeni hrvatski pejzazizam (u svoj sirini tog pojma) redovima likovne 'humornosti' tezeci i uspjevajuci povezati u arhitekturi spomenicko i pucko, sintetizirajuci reprezentativni izgled crkvenog tornja i jednostavnu velicajnost 'zaboravljene' kucice. Neposrednoscu iskaza u radosti stvaranja talentom i ljubavlju odabrane motive izjednacio je sa samim pojmom lijepote. (text : Stanko Spoljaric) ZIVOTOPIS Abel Brcic,
rodjen je 1956. god. u Zrnovu. Slikarstvom se bavi
od 1974.god. Diplomirao je na Pedagoskoj akademiji
u Splitu 1978 god. u klasi prof. Ante Kaptelancica.
Radi kao likovni pedagog u osnovnij skoli u Korculi
. Od 1986.god. Clan je njemackog udruæenja 'Savez
za slobodnu umjetnost' (Bund fuer freie angewandte
Kunst) u Darmstadtu. Prvu samostalnu izlozbu imao
je u Korculi 1980.god i od tada do danas aktivno izlaze
na mnogim samostalnim i skupnim izloæbama. Adresa: Abel Brcic, Medvinjak 516,
20260 Korcula-HRVATSKATel. 020 715 455 SAMOSTALNE IZLOZBE |
